Cropped Will Cardini artwork

April 8, 2011

Secret Prison #4 at MoCCA 2011

Filed under: Events — Tags: , , — Will Cardini @ 7:20 am

Mini-Comics Day is not the only thing happening this upcoming weekend – it’s also MoCCA 2011 in NYC. Although I was able to attend in 2008, 2009, and 2010, I won’t be there this year :’,’,’,’,'( (Although I can’t really be all that sad, because Glade and I’s wedding and subsequent honeymoon is the reason why.) However, one of my comics will be in attendance. Thanks to everyone’s support of Secret Prison in 2011 on Kickstarter, Pat Aulisio will have fresh, free copies of #4 at Table L5, which he’s sharing with Mike Turzanski and Tom Smo.

Here’s a preview of my comic for Secret Prison #4:

Preview of William Cardini's comic for Secret Prison #4

Pat will also have a bevy of other dope comics for your perusal, check out this blog post for deetz.

April 7, 2011

Mini-Comics Day at Dragon’s Lair this Saturday

Filed under: Events — Tags: , — Will Cardini @ 7:08 am

Hey y’all, this Saturday, April 9th, is Mini-Comics Day! It’s like 24-Hour Comic Book Day, but less grueling, because you only have to commit to finish a minicomic, with no size or length restrictions.

mini-comics day logo
Are the cartoonists participating in mini-comics day the mouse, the mousetrap, or the cheese?

Here in Austin, Dragon’s Lair (6111 Burnet Rd) is hosting a Mini-Comics Day event from 10am to midnight. Come by, I’ll be there drawing – and, if you’re allergic to cats like I am, be sure to take some loratadine before you walk in the door, cuz they have a couple feline residents. I hope to see some of y’all there.

Although technically you’re supposed to write and draw the whole thing in one day, I’ve already started sketching and brainstorming. Here are my sketches:

Mark P Hensel sketch
Here’s a preliminary sketch of The Two Heads of Murg Kraw. Sensitive plot planning notes have been redacted.

Mark P Hensel sketch
I feel like pirate yeti is pretty self explanatory, but to be specific, this is a SPACE pirate yeti (or pirate space yeti? yeti pirate space?). I switched pencils in the middle, so some lines are way thicker than other.

April 1, 2011

Math Fiction Squared Sketches

Filed under: Print Comics — Tags: , , — Will Cardini @ 7:36 am

Hey d00dz, right now I’m working on a seven-page Miizzzard comic for Math Fiction Squared, the sequel to the 3D comic that I was in last year. Like the first one, Math Fiction Squared is edited by Pat Aulisio and will have digitally printed blue/red anaglyph 3D interior pages and a screenprinted cover. However, it’ll be a little smaller: 8.5″ square. I’m really stoked about it!

Here are some sketches:

Math Fiction Squared Sketch

Math Fiction Squared Sketch

Here’s a screengrab from my work files in Manga Studio Debut:

Math Fiction Squared Preview

Look for it in May. I’ll let y’all know when it’s out.

March 29, 2011

Review: Hyperion and The Fall of Hyperion by Dan Simmons

Filed under: SF Reviews — Tags: , , — Will Cardini @ 7:10 am

Hyperion and The Fall of Hyperion, by Dan Simmons, are one strange, fascinating story in two volumes. I hope that Jo Walton decides to re-read it when she comes to it in her Revisiting the Hugo Awards Nominees blog series on the Tor website (Hyperion won a Hugo and The Fall of Hyperion was nominated).

Spanish cover of Hyperion by Dan Simmons
Spanish cover of Hyperion by Dan Simmons, via Virao del Casco’s flickr.

Click here for my review.

March 25, 2011

Please Help Fund Secret Prison for 2011

Filed under: Print Comics — Tags: , , — Will Cardini @ 7:00 am

Secret Prison, a free comics newsprint anthology out of Philly, needs your help to continue in 2011. In 2010, they funded their three issues with three separate Kickstarters. For 2011, however, they’ve decided to try to raise all of the funds with one Kickstarter. They’re over halfway to their goal and they have until 11:59pm EDT on Sunday, April 3rd to raise the rest. Check it out here.

If you pledge, you can get old issues of Secret Prison (I had something in #2) or subscribe to all their publications for 2011 (I’ll be in #4 and I plan to submit to the rest). You can also get rad art, like this:

Bart by Pat Aulisio
Bart by Pat Aulisio, two-color screenprint cover variant poster.

or this:

2 Bad 2 Be Dad by Ian Harker
2 Bad 2 Be Dad by Ian Harker, two-color screenprint cover variant poster.

I’m also offering up a 9×12″ black and white drawing for anyone who wants to throw down a James Joyce.

March 22, 2011

2001 Nights by Yukinobu Hoshino and Tone Sheets

Filed under: Artwork,Inspiration — Tags: , — Will Cardini @ 7:15 am

Man, SXSW was crazy – 25th anniversary and the biggest year yet! I only went to a couple of shows. The highlights of my South By this year were What’s Tappening, Chica Vas, and Harsh Realm II at Monofonus.

Anyway last week I mentioned how I got three volumes of 2001 Nights by Yukinobu Hoshino. Now I’m going to post the my favorite examples of tone sheet usage and show you what they inspired me to make.

I love the gas giant (is it a processed photograph?) and the circles of light from the propulsion of the ship on the right in this page:

2001 Nights by Yukinobu Hoshino
A page from the chapter “Night 6: Discovery” in 2001 Nights by Yukinobu Hoshino.

The gradient tone sheets on this spaceship blow my mind:

2001 Nights by Yukinobu Hoshino
A page from the chapter “Night 7: Lucifer Rising” in 2001 Nights by Yukinobu Hoshino.

Click here for more pages from 2001 Nights and my tone sheet experiment

March 15, 2011

From Anarchadillo in Austin to Renaissance Books in Riverside

Filed under: Inspiration — Tags: , , — Will Cardini @ 10:57 pm

My family recently made our roughly annual pilgrimage to Riverside, California to visit relatives. Whenever we’re there, we always stop by Renaissance Books, a used book store with a huge sf section (you can buy stuff from them online here). The owner used to live in Austin and ran a used book store/head shop here. This trip I found out that his shop used to be down the street from where Glade and I live. It was called Anarchadillo: Slow Burning Books and Papers. Gotta love that. I tired to find a photo but I was unable to. If anyone has one, I’d love to see it.

Here are some gems I picked up:

Paul Lehr cover of The World of Null-A by A. E. van Vogt
Paul Lehr cover of The World of Null-A by A. E. van Vogt.

Lehr also did this cover of Solaris. They had a couple other books with Paul Lehr covers and they were all dope. As far as the novel goes, I love this story and most van Vogt in general. His stuff is pure superheroics. Similar in tone to Fletcher Hanks sometimes, at its most manic and exciting. Definitely obsessed with power and authority.

Starshine by Theodore Sturgeon
Starshine by Theodore Sturgeon, cover artist unknown.

I haven’t read any Sturgeon but Aldiss made him sound like a great author in his must-read history of sf, Trillion Year Spree.

Impossible Possibilities by Louis Pauwels and Jacques Bergier
Impossible Possibilities by Louis Pauwels and Jacques Bergier, translated from the German, cover artist unknown.

I really wish this was an sf novel. I’m not sure what it is – futurism? weird pseudoscience? I probably won’t end up reading it.

I also got some awesome comics:

  • An old Epic Moebius graphic novel, containing the story Upon a Star that he did for Citroën, serialized online here. It’s one of my favorite Moebius stories.
  • A volume of the Akira serialization that’s been colored by Steve Oliff. You owe it to yourself to click that link if you haven’t seen Oliff’s original color guides.
  • The three volumes of 2001 Nights by Yukinobu Hoshino. I really dug this series. I like near future hard sf (although the science in these isn’t that thoroughly researched). I think it’s because it seems hopeful about our future but is still grounded in what we know. I like that kind of story because I also know it’s something I would never have the discipline to do the research for. I just don’t have the patience or attention to detail. I’d really like to read something that takes into account all the recent exoplanets we’ve been discovering. Anyway, I love how Hoshino used different tone sheets to create a lot of variation in his black and white drawings. I think I’m going to try that out.

What by What-Ever

Filed under: Events — Tags: , , — Will Cardini @ 1:58 am


Poster by Rand Renfrow.

March 11, 2011

Awthum Fetht 6666

Filed under: Events — Tags: , , , , , — Will Cardini @ 7:04 am

I know that I keep talking about this Glade and Mark comic, and it’s coming, I swear y’all, but other things just keep coming up that are time sensitive, like STAPLE! and now SXSW. Also, I have some other comics that I haven’t posted here that are even older, so I may post those first. We’ll see. So, please ignore my empty promises and I’ll stop making them.

Anyway, for the sixth year in a row, the Awthum Empire, producers of fringe, DIY and avant garde culture in Austin and beyond, is putting on their one-day music festival, Awthum Fetht. And, just like last year, I drew a flyer for it:

Also, if you’re a band interested in a flyer or other artwork, please feel free to contact me.

March 8, 2011

STAPLE! Recap

Filed under: Recaps — Tags: , , , , , — Will Cardini @ 7:00 am

Hey yawl, the Gold County Paper Mill and Glademade had a blast at STAPLE! last weekend, thanks to everyone who hung out and bought stuff!

Glademade and GCPM at STAPLE!
Zoom out shot of the table (I was able to get everything in the image except for the second Glademade card rack). Glade’s face is like “why are you d00dz hiding?”

We met a ton of kewl people and got to hang out with kewl people we’ve met at past STAPLE!s (that plural spelling of STAPLE! is straight from the style guide, I swear).

Glademade and GCPM at STAPLE!
Now everyone is showing their faces. From left to right: Michael Miles, David Fullen, Glade Hensel.

Some highlights:

  • The people across the aisle from us, writer Adam Smith and artist Matt Fox of Wet Black Ghost press, had driven all the way from Little Rock, Arkansas, where they say there’s not much of a scene. I dug their short sci-fi comic and I’m looking forward to the fantasy webcomic that’s on the way.
  • Speaking of driving cross country, I met several people who said they had just moved to Austin from Portland, like the cartoonists Aaron Whitaker and Melinda Boyce. Coincidence or growing trend? Let’s hope more cartoonists defect here.
  • Jake Ewing, proprietor of Awesome Comics in Dallas, shared a table with the Arkansas boys. He makes pretty kewl little folded full-color comics.
  • I’m really glad that Sparkplug Comics had a table at STAPLE!, I wish their were more out of town indy publishers there. Chris C. Cilla was in attendance, so I’m glad I’d been waiting to buy his new book The Heavy Hand from Domy so I could get a signed book straight from the author. I started reading it on the bus ride home from work yesterday and I’m really digging it.
  • It was good to talk to Paul Maybury and his also talented assistant Ricky Valenzuela. If I’d had more dough I would’ve bought some of Maybury’s sick looking original pages. At least we got to talk about coloring for a bit.
  • Man, I love how Toby Craig is still putting out watercolored comics in Houston. His earlier series Monster Engine was the first DIY comic I ever bought back at Bedrock City Comics on 1960.
  • I dug Partydog‘s VHS-style comic The Body is a System. Also he handed me a hilarious xerox mini of stick figure collaborations with his bf on this site. Loved it.
  • I was hoping that Zach Taylor would have Bear Quest 2 ready but his jam comic with Chris Sweet, 16-bit Breakfast, will tide me over for a bit.
  • I always enjoy chatting with Jen and MC of Buttersword. Their comics are like an angrier Porcellino with some sf elements thrown in every once in a while. Basically, they’re super real, honest, and independent. Also I applaud them for monetizing MC’s toy collecting.
  • Palfloat is a true Austin original. Click that link – you’ll thank me.

I hope to see you all again (and more people!) at STAPLE! 2012. Also, if you’re wondering, I’ll start posting the eight-page Glade and Mark comic on Friday. Click here for additional photos and GCPM-centric commentary