Cropped Will Cardini artwork

July 13, 2012

New Character Design for Frog

Filed under: Print Comics — Tags: , , , , — Will Cardini @ 7:21 am

Happy Friday the 13th y’all!

For my comic for the food and eating comics anthology Digestate, edited by JT Yost, I worked on a new design for my recurring frog character, check it out:

Frog has appeared as the Miizzzard’s psychopomp in my unfinished minicomic series Hyperbox, as the manifestation of a shamanic curse in Froghead Hangover, and was the star of the comic I drew in college for The Daily Texan. This is what Frog used to look like:

I also like to throw random frogheads into my drawings and paintings. Digestate debuts at SPX 2012.

July 10, 2012

Comics on Sale at Domy Austin; Reviews

Filed under: Press — Tags: , , , , , , , — Will Cardini @ 7:19 am

Hey ya’ll, I just dropped off the Josh Burggraf-edited psychedelic sf anthology Future Shock at Domy Books here in Austin. Check out the cover:

Future Shock cover

Future Shock is 44 full-color pages of freak out sf short stories by the main man JB, Anuj Shrestha, Pat Aulisio, myself, and Victor Kerlow, drawing comics solo and collabo. I’m really excited by what Josh has done with this, but don’t take my word for it, check some words of praise from Tim Callahan in a post-MoCCA review roundup on Comic Book Resources. The anthology is $7. I also restocked Vortex #1 and #2.

In other news, comics by both me and Burggraf got reviewed by Rob Clough on High-Low in a roundup of “odd genre minis”. Clough has this to say about Vortex #2: “Working big and using so many decorative patterns gives this issue a psychedelic feel, yet one that’s grounded in rock-solid and simple layouts.”

July 6, 2012

Vortex #2 for Sale at Floating World and a Review

Filed under: Press,Print Comics — Tags: , , , , — Will Cardini @ 7:31 am

I just sent a stack of Vortex #2 to my buddy Ryan Dirks in Portland. He took some over to Floating World Comics in Portland, so if any of y’all are there, y’all can now pick up both issues of Vortex there.


Dirks holding up a stack of V#2.

Dirks also posted some kind words about my comics: “I love how he uses space and rocks all the different tones. Everything has a melty, trippy, dreamlike quality to it, very unique.”

July 3, 2012

Thoughts on Not Getting the Xeric Grant

Filed under: Life — Tags: , , — Will Cardini @ 7:16 am

Back in February I announced that I was applying for the final round of the Xeric grant. A couple of weeks ago I got a letter informing me that I wasn’t selected. I’m not going to let the rejection slow me down. Putting my work out there for review, for sale, or for awards means that it might get rejected. Anyone who wants to be a creative professional needs to have a thick skin.

Xeric Foundation logo
The Xeric website.

I applied to self-publish a comic that’s already posted on my website, Moon Queen. I wanted the funds to do a two-color offset print production of that comic. Because I was drafting a plan with potential buckets of cash, I thought about and researched a publishing, marketing, and distribution plan that’s way more ambitious than anything I’ve done with my comics so far. Formulating that plan means the Xeric helped me out before I even mailed in my application. Not getting the Xeric doesn’t mean I can’t implement some (or all) of these ideas in future self-publishing projects, I’ll just need to save my own pennies. But I’m not sure at this point if Moon Queen will exist in print. We’ll see.

Moon Queen cover spread
The cover for Moon Queen, click to read it.

Applying to the Xeric was something I’d been wanting to do since I first started reading about self-publishing comics in high school. I’m glad I finally got my shit together and did it. It’s a bummer that there are no future rounds of Xeric funding. I think the opportunity that the Xeric gave people isn’t quite replaced by self-publishing on the web, which requires a different skill set than self-publishing in print, and Kickstarter, which is only successful if a cartoonist has an existing audience. Fortunately the Sequential Arts Workshop, a new comics school in Florida, recently announced that they’re stepping in to fill the void left by the Xeric with micro-grants for self-publishing. The first deadline is August 15th, 2012, go apply!

June 29, 2012

Five-Eyed Office-Dwelling Cat-Demon #2

Filed under: Artwork — Tags: , — Will Cardini @ 7:53 am

Here’s another drawing:

Five-Eyed Cat Demon #2

You can see all of my five-eyed office-dwelling cat demon drawings here.

June 26, 2012

Thickness #3 for Sale Online

Filed under: Print Comics — Tags: , , — Will Cardini @ 7:27 am

Thickness #3 is now for sale online!

Edit Fake cover for Thickness #3
The cover for Thickness #3, drawn by Edie Fake.

Thickness is an anthology of erotic comics edited by Ryan Sands and Michael DeForge. For #3, Sean T Collins and I collaborated on a ten-page comic called “The Cockroach.” We’re in there alongside a bunch of other fantastic artists. Here’s a photo of the title page of Sean and I’s comic:

The Cockroach by Collins and Cardini title page
All of the interior pages of Thickness are printed in two-color risograph.

This was my first time drawing a comic from a script. I had a lot of fun with it – it gets extremely gross and gooey!

June 22, 2012

Five-Eyed Office-Dwelling Cat-Demon #1

Filed under: Artwork — Tags: , — Will Cardini @ 12:02 am

I’ve been taking it easy since I finished my collabo with Sean T Collins for Thickness #3, just sketching and doing fun ink drawings. One idea I have is to do a series of five-eyed office-dwelling cat-demon drawings. Here’s one of them:

five-eyed office-dwelling cat-demon

Would y’all be into a zine of these d00dz?

June 19, 2012

Digestate Kickstarter; Two Vortex #2 Reviews

Filed under: Press,Print Comics — Tags: , , , , , , — Will Cardini @ 9:59 pm

I’m contributing a short comic to the J.T. Yost-edited food-and-eating themed anthology Digestate along with a bunch of other awesome folks:

Digestate contributors
Digestate promo image by cartoonist Victor Kerlow, who also has a comic in the latest Catch Up.

Yost has already raised funds to print the anthology through Kickstarter. But if y’all want to snag a copy, throw in some bucks here in the next nine days.

I’ve also gotten two reviews of Vortex #2.

Vortex #2 Page 18
Page 18 of Vortex #2.

In Edie Fake’s review for the Quimby’s store site, he says, “Thick-like-a-brick linework barely contains another dose of filled-to-the-brim fill pattern madness.” Click here to read all of Fake’s review and order a copy from Quimby’s in Chicago if you’re so inclined.

Meanwhile, over at Optical Sloth, Kevin says, “Once again the art is amazing, as there are all kinds of creatures and objects floating around that are just begging for a more detailed description, and the story is picking up steam nicely.” Click here to read the entire review.

June 15, 2012

Sketchbook Pages – Vortex #2 and Miscellaneous; Thickness #3 Debuts this Weekend

Filed under: Print Comics — Tags: , , , , — Will Cardini @ 7:52 am

Here are two sketchbook pages. This first one started out with Vortex #2 drawings but then I just let my mind wander:

William Cardini sketchbook page

This second one is a sketch for Page 20 of Vortex #2 (you can see the final version in this preview):

William Cardini sketchbook page

Also, I almost forgot to mention, Thickness #3 is debuting this weekend at CAKE in Chicago. Sean T Collins and I collaborated on a ten-page story for it. Check it out!

June 12, 2012

Prometheus Thoughts with Spoilers

Filed under: SF Reviews,Sketchbook Pages — Tags: , — Will Cardini @ 7:59 am

I’ve now seen Prometheus twice so I’d like to tell y’all my spoiler-filled thoughts. I’ve read a lot of reviews and opinions seem generally mixed: the visuals are spectacular but the plot, science, and character motivations are weak. I see what these reviews are saying but I give Prometheus some leeway just because there are so few big budget, big idea sf movies. For example, I find the ideas in Erich von Däniken’s Chariots of the Gods to be complete fantasy. But that doesn’t stop me from enjoying the mythic resonance of Jack Kirby’s The Eternals and it doesn’t stop me from digging Prometheus. And like The The Eternals, Prometheus is showing us our place in the cosmos by investigating the myth of the Titans.

The beginning sequence of Prometheus shows the Earth being seeded with life. An Engineer is transformed into the primordial soup of DNA strands. Why would the Engineers seed the earth with life, come back and check on it after millions of years, and then try to destroy it? Maybe it was because they could, the same answer that Charlie gives David for why humanity would create synthetic people with artificial intelligence. Or maybe the answer’s more sinister and the Engineers created humanity to provide the Engineers with test subjects for their weapons of mass destruction.

I dig Prometheus because it plays with ideas as large as a planet and as old as life. Throw in body horror, deadly impregnations, and highly sexualized monster designs that approach Johnny Ryan’s Prison Pit and I’m sold. It’s not as good as Alien but hardly any movie can match that spare masterpiece.

Even after seeing all of the riffs on the xenomorph in Prometheus, the original xenomorph remains my favorite sf creature. It’s ruthless, it’s terrifying, it has no eyes but it knows exactly where you are. It’ll impregnate you with its young and destroy you. We have no idea how intelligent they are. In the Alien quadrilogy, they are a force of nature. Does it spoil my appreciation of the xenomorph to know that they are purposefully created weapons? No. In the other Alien movies, we get hints that Weyland-Yutani wants specimens to use as templates for biological weaponry. With its metal teeth, acid blood, and shiny reflective carapace, the xenomorph already inhabits a weird limbo between machine and animal. And I love the idea of the mutagenic ur-Alien ooze that the Prometheus crew encounters in the skull-topped pyramid. We see so many varieties of effects and creatures that I can only assume that the ooze delivers individualized destruction.

I can forgive the rushed, reckless investigation of the Prometheus crew by thinking of Elizabeth and Charlie as religious zealots on a quest instead of rational scientists. Shaw’s faith in particular is unshakeable. Even when our creators want to wipe us out she still clings to her cross. It reminds me of Philip K Dick’s gnostic outlook: our world is a place of evil, therefore the being who created the cosmos is evil; but Christ delivers salvation from outside the evil material world. Or maybe that faith is a delusion and it’s just more massive, more implacable, and more evil giants all the way up to the source of the universe.

If the Prometheus sequels get made they could definitely ruin my enjoyment by providing too many unsatisfying explanations and not enough mysteries. I’m not really interested in seeing exactly how we get from the last scene of Prometheus to the crashed spaceship the crew of the Nostromo finds on Alien.