July 20th, 2012
June 12th, 2012
Prometheus Thoughts with Spoilers
I’ve now seen Prometheus twice so I’d like to tell y’all my spoiler-filled thoughts. I’ve read a lot of reviews and opinions seem generally mixed: the visuals are spectacular but the plot, science, and character motivations are weak. I see what these reviews are saying but I give Prometheus some leeway just because there are so few big budget, big idea sf movies. For example, I find the ideas in Erich von Däniken’s Chariots of the Gods to be complete fantasy. But that doesn’t stop me from enjoying the mythic resonance of Jack Kirby’s The Eternals and it doesn’t stop me from digging Prometheus. And like The The Eternals, Prometheus is showing us our place in the cosmos by investigating the myth of the Titans.
The beginning sequence of Prometheus shows the Earth being seeded with life. An Engineer is transformed into the primordial soup of DNA strands. Why would the Engineers seed the earth with life, come back and check on it after millions of years, and then try to destroy it? Maybe it was because they could, the same answer that Charlie gives David for why humanity would create synthetic people with artificial intelligence. Or maybe the answer’s more sinister and the Engineers created humanity to provide the Engineers with test subjects for their weapons of mass destruction.
I dig Prometheus because it plays with ideas as large as a planet and as old as life. Throw in body horror, deadly impregnations, and highly sexualized monster designs that approach Johnny Ryan’s Prison Pit and I’m sold. It’s not as good as Alien but hardly any movie can match that spare masterpiece.
Even after seeing all of the riffs on the xenomorph in Prometheus, the original xenomorph remains my favorite sf creature. It’s ruthless, it’s terrifying, it has no eyes but it knows exactly where you are. It’ll impregnate you with its young and destroy you. We have no idea how intelligent they are. In the Alien quadrilogy, they are a force of nature. Does it spoil my appreciation of the xenomorph to know that they are purposefully created weapons? No. In the other Alien movies, we get hints that Weyland-Yutani wants specimens to use as templates for biological weaponry. With its metal teeth, acid blood, and shiny reflective carapace, the xenomorph already inhabits a weird limbo between machine and animal. And I love the idea of the mutagenic ur-Alien ooze that the Prometheus crew encounters in the skull-topped pyramid. We see so many varieties of effects and creatures that I can only assume that the ooze delivers individualized destruction.
I can forgive the rushed, reckless investigation of the Prometheus crew by thinking of Elizabeth and Charlie as religious zealots on a quest instead of rational scientists. Shaw’s faith in particular is unshakeable. Even when our creators want to wipe us out she still clings to her cross. It reminds me of Philip K Dick’s gnostic outlook: our world is a place of evil, therefore the being who created the cosmos is evil; but Christ delivers salvation from outside the evil material world. Or maybe that faith is a delusion and it’s just more massive, more implacable, and more evil giants all the way up to the source of the universe.
If the Prometheus sequels get made they could definitely ruin my enjoyment by providing too many unsatisfying explanations and not enough mysteries. I’m not really interested in seeing exactly how we get from the last scene of Prometheus to the crashed spaceship the crew of the Nostromo finds on Alien.
June 8th, 2012
Sketchbook Pages – Secret Prison #666
Here are two sketchbook pages where I was brainstorming for the collaborative double-paged spread Keenan Marshall Keller and I did for Secret Prison #666:
If you’re curious, that note to myself in the top left corner refers to Vortex #2.
June 1st, 2012
Sketchbook Pages – Hawk, Vortex #2, and Miscellaneous
Here are some sketchbook pages from the past couple months. This first page has sketches for Vortex #2, “Hawk” in Future Shock, and just some random drawings:
I really like the cat spaceship shooting lasers from its eyes to the left of the question, “Who made the Vortex?”
On this second page I was mostly brainstorming for Page 18 of Vortex #2 (also the first page of this preview of Vortex #2 (Update 1/13/2017: this link no longer works)):
March 14th, 2012
Vortex #2 Sketch
Hey y’all, I’m going to be in pretty deep radio silence over the next few months finishing up some projects, so don’t be surprised if blog posts are delayed. But here’s a sketch of some ideas for Vortex #2:
February 17th, 2012
“Moon Queen” B-Sides: Spreads 5 and 7
Here’s the final set of process shots from Moon Queen, the comic I drew during Frank Santoro’s Correspondence Course:
Original sketches for Spread 5.
Spread 7, ink wash layer with loose blackline.
Spread 7 fore-, mid-, and background in colored pencil.
February 14th, 2012
“Moon Queen” B-Sides: Spread 3
Here are some process shots from Moon Queen, the comic I drew during Frank Santoro’s Correspondence Course:
Original sketches for Spread 3.
Spread 3, gray markers with blackline and geometry overlay.
Detailed blackline for Spread 3.
Spread 3 fore-, mid-, and background in colored pencil.
I’ll have one more set of B-sides for y’all on Friday.
February 10th, 2012
“Moon Queen” B-Sides: Cover Spread and Spread 1
Here are some process shots from Moon Queen, the comic I drew during Frank Santoro’s Correspondence Course:
First version of the final cover spread.
Spread 1, gray markers with blackline and geometry overlay.
Color test of Spread 1.
I’m going to post more next week.
October 7th, 2011
Big Nose Bug D00dz Sketch
After using moleskines for a while, I finally broke down and got another one of my favorite sketchbooks, an 8.5×11″ réflexions bound sketch book. I broke it in by drawing a bunch of big nose bug d00dz:
You might see some of these d00dz in a future comic of mine.
July 29th, 2011
Sketchbook Pages from France
Here are two sketchbook pages from my trip to France back in May: